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	<title>The Sound of Poetry</title>
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	<title>The Sound of Poetry</title>
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		<title>Love Poems (31,726) Search Engine Queries in the US</title>
		<link>https://poetrypoetry.com/love-poems/</link>
		
		<dc:creator><![CDATA[Donald C Winders]]></dc:creator>
		<pubDate>Thu, 17 Jun 2021 02:25:38 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://poetrypoetry.com/?p=2083</guid>

					<description><![CDATA[Love poems come in so many shapes and sizes that oftentimes it is difficult to make heads or tails of them....]]></description>
										<content:encoded><![CDATA[<p><strong>Love poems</strong> come in so many shapes and sizes that oftentimes it is difficult to make heads or tails of them. Luckily, there is a simple but effective solution allowing categorizing them by people&#8217;s search interests in an intuitive and straightforward manner. This page provides a hierarchical breakdown of the most popular love poetry-related queries along with the approximate number of monthly searches in the US, making it considerably easier to navigate your way around the Internet looking for the right poem for your beloved.<br />
<span id="more-2083"></span></p>
<p>As you can deduce from the title, the category-defining query itself is searched close to 32,000 times a month in the US alone; given that the whole gamut of longer-tail queries based on it is estimated at ~128,000 monthly searches, that makes roughly 25% of the total. Interestingly, according to Ahrefs, the number is these searches is declining:</p>
<div id="attachment_2099" style="width: 610px" class="wp-caption aligncenter"><img aria-describedby="caption-attachment-2099" decoding="async" class="wp-image-2099 size-full" src="https://poetrypoetry.com/wp-content/uploads/2021/06/Love-Poems-Volume-Trend-e1623896113789.jpg" alt="Love Poems Search Volume Trend" width="600" height="495" /><p id="caption-attachment-2099" class="wp-caption-text">Love Poems Search Volume Trend by Ahrefs</p></div>
<p>As you see from the picture, there is a clear downtrend for all such searches over the last 5 years in the US. Since the population of the country grew slightly in the same time period, this means that Americans are gradually losing interest in love poetry, likely substituting it with other stimuli. However, since you came to this page, you probably still haven&#8217;t given up on the subject and could benefit from the hierarchical lists with links comprised below on the basis of Ahrefs&#8217; data.</p>
<h2>Love poems for her (18,125)</h2>
<p>This query sits at the top of the second-tier hierarchical groups boasting almost 15% of all queries related to our research subject (18,125 / 128,000). This should not come as a surprise: historically, men wrote poetry for the women they couldn&#8217;t live without; that is, up to the moment they died.</p>
<ul>
<li>deep love poems for her (902),</li>
<li><a href="https://www.shampoopoetry.com/love-poems/" target="_blank" rel="noopener">love poems for her from the heart</a> (707),</li>
<li>i love you poems for her (633),</li>
<li><a href="https://www.romanticpoems.com/goodnight-poems-for-her/" target="_blank" rel="noopener">good night poems for her</a> (583),</li>
<li>long love poems for her (460),</li>
<li>sweet love poems for her (326),</li>
<li>love poetry for her (304),</li>
<li>poems about love for her (284),</li>
<li>best love poems for her (277),</li>
<li>good morning love poems for her (166),</li>
<li>passionate love poems for her (147),</li>
<li>funny love poems for her (147),</li>
<li>greatest love poems for her (110),</li>
<li>new love poems for her (104),</li>
<li>love of my life poems for her (99),</li>
<li>beautiful love poems for her (82),</li>
<li>famous love poems for her (73),</li>
<li>cute love poems for her (67),</li>
<li>poems of love for her (58),</li>
<li>love poems for her from him (52),</li>
<li>love you poems for her (44),</li>
<li>i love you poems for her from the heart (28),</li>
<li>love poems for her that will make her cry (21).</li>
</ul>
<h2>Poems about love (8,814)</h2>
<p>Adding the extra preposition request an extra effort, so this version is sought almost four times less frequently (8,814 / 128,000). The longer-tail variations of this are much less popular, so when we finally get to rhyming at the end of the list the search volume becomes almost negligible.</p>
<ul>
<li>poems about death of a loved one (503),</li>
<li>best poems about love (259),</li>
<li>famous poems about love (241),</li>
<li>poems about trust and love and pain (218),</li>
<li>poems about making love (208),</li>
<li>poems about losing a loved one too soon (204),</li>
<li>poems about loving someone but not being able to be with them (199),</li>
<li>poems about losing a loved one (174),</li>
<li>poems about loving someone you can&#8217;t have (160),</li>
<li>inspirational poems about death of a loved one (154),</li>
<li>poems about friendship and love (149),</li>
<li>poems about lost love (138),</li>
<li>poems about death of a loved one by famous poets (130),</li>
<li>how to write a poem about love (130),</li>
<li>poems about self love (128),</li>
<li>funny poems about love (124),</li>
<li>poems about unrequited love (119),</li>
<li>poems about a mother&#8217;s love (116),</li>
<li>poems about loving someone who doesn&#8217;t love you back (115),</li>
<li>poems about marriage and love (103),</li>
<li>poems about god&#8217;s love (103),</li>
<li>poems about family love (103),</li>
<li>poems about life and love (101),</li>
<li>poems about missing someone you love (99),</li>
<li>poems about being in love (98),</li>
<li>poems about pain and love (96),</li>
<li>poems about stars and love (89),</li>
<li>beautiful poems about love (87),</li>
<li>sad poems about love (86),</li>
<li>poems about falling in love (85),</li>
<li>walt whitman poems about love (83),</li>
<li>dark poems about love (83),</li>
<li>poems about true love (82),</li>
<li>sad poems about pain and love (79),</li>
<li>long poems about love (74),</li>
<li>poems about mothers love (73),</li>
<li>french poems about love (73),</li>
<li>poems about finding love (66),</li>
<li>poems about death and love (65),</li>
<li>great poems about love (65),</li>
<li>spanish poems about love (64),</li>
<li>poems about loving yourself (63),</li>
<li>shakespeare poems about love (62),</li>
<li>poems about forbidden love (61),</li>
<li>irish poems about love (48),</li>
<li>classic poems about love (43),</li>
<li>deep poems about love (39),</li>
<li>shel silverstein poems about love (36),</li>
<li>robert frost poems about love (36),</li>
<li>poems about life and love and happiness (27),</li>
<li>poems about loss of a loved one (25),</li>
<li><a href="https://www.amazon.com/Love-Poetry-Rhyming-Poems-About/dp/B088VX6XSD?&amp;_encoding=UTF8&amp;tag=31062-20&amp;linkCode=ur2&amp;linkId=737d1d6bf276172afb34f193815634e0&amp;camp=1789&amp;creative=9325" target="_blank" rel="noopener">rhyming poems about love</a> (18).</li>
</ul>
<h2>Short love poems (4,389)</h2>
<p>Somebody once said that brevity is the soul of wit, and people liked that so much the concept made it into love also. Here, the decline in search volume is more gradual, but there are also a lot fewer variations.</p>
<ul>
<li>short love poems for her (1,162),</li>
<li>short love poems for wife (730),</li>
<li>short poems about love (514),</li>
<li>short poems about death of a loved one (338),</li>
<li>short romantic poems (276),</li>
<li>famous short love poems (235),</li>
<li>short love poems for girlfriend (187),</li>
<li>short funny love poems (135),</li>
<li>short romantic poems for her (132),</li>
<li>short i love you poems (120),</li>
<li>short funny love poems that rhyme (89),</li>
<li>short love poems for husband (74),</li>
<li>best short love poems (73),</li>
<li>love short poems (62),</li>
<li>romantic short poems (48),</li>
<li>cute short love poems (46).</li>
</ul>
<h2>Romantic poems (4,343)</h2>
<p>It may be tempting to expect this query to be more popular, but this is not the case at all as it gets merely ~4,300 monthly searches. However, this is the only second-tier group that includes a fully-fledged third-tier category of its own.</p>
<ul>
<li>romantic love poems (874),</li>
<li>romantic poets (850),</li>
<li>romanticism poems (150),</li>
<li>dark romantic poems (140),</li>
<li>romantic spanish poems (128),</li>
<li>a major characteristic of romantic poets (126),</li>
<li>most romantic poems (117),</li>
<li>romantic era poems (90),</li>
<li>the favorite subjects of the romantic poets (87),</li>
<li>famous romantic poems (84),</li>
<li>funny romantic poems (76),</li>
<li>sweet romantic poems (71),</li>
<li>british romantic poets (66),</li>
<li>famous romantic poets (50),</li>
<li>romantic birthday poems (47),</li>
<li>romantic good morning poems (39),</li>
<li>best romantic poems (33),</li>
<li>romantic era poets (29),</li>
<li>romanticism poets (18),</li>
<li>american romantic poets (18),</li>
<li>romantic poems for the girl you like (16),</li>
<li>english romantic poets (13),</li>
<li>romantic poems for him to make him cry (11).</li>
</ul>
<h3>Romantic poems for her (1,957)</h3>
<p>Here is that third-level tier, a combination of the <em>romantic</em> and <em>for her</em> parts:</p>
<ul>
<li>romantic love poems for her (264),</li>
<li>romantic poems for her to make her cry (183),</li>
<li>short romantic poems for her (132),</li>
<li>romantic birthday poems for her (115).</li>
</ul>
<h2>Love poetry (3,038)</h2>
<p>It feels counterintuitive, but this close variation of the master query is searched about 10 times less often (3,038 vs. 31,726).</p>
<ul>
<li>muse of love poetry (291),</li>
<li>what is poetry written in praise of a loved one’s physical beauty? blazon sonnet iambic quatrain (198),</li>
<li>lovecraft poetry (182),</li>
<li>why was the courtly love poetry written in the common language instead of latin? (141),</li>
<li>rumi poetry love (127),</li>
<li>rumi love poetry (121),</li>
<li>famous romantic poetry (120),</li>
<li>characteristics of romanticism poetry (116),</li>
<li>a typical theme of romantic poetry (107),</li>
<li>why was courtly love poetry written in the common language of everyday life instead of latin? (96)</li>
<li>romantic poetry quotes (96),</li>
<li>sad love poetry (79),</li>
<li>slam poetry about love (77),</li>
<li>classic love poetry (72),</li>
<li>poetry love quotes (68),</li>
<li>love poetry books (61),</li>
<li>poetry quotes about love (45),</li>
<li>famous love poetry (45),</li>
<li>love poetry in english (40),</li>
<li>romantic poetry definition (11),</li>
<li>love poetry quotes (8),</li>
<li>best love poetry (2).</li>
</ul>
<h2>Love poems for wife (2,889)</h2>
<p>Some say romance dies with marriage, but others dismiss that attitude as cynical. In this group, the main query defines most of the search volume within the category, likely due to the husbands&#8217; sharp focus on what&#8217;s truly important.</p>
<ul>
<li>i love you poems for wife (199),</li>
<li>romantic poems for wife (119),</li>
<li>i love my wife poems (109),</li>
<li>love poems for wife from husband (104),</li>
<li>wife love poems (71),</li>
<li>love my wife poems (16).</li>
</ul>
<h2>I love you poems (1,570)</h2>
<p>Call me an incorrigible optimist, but I do hope that at least some of the queries falling under this group reflect the enthusiasm people feel for poems themselves. An interesting thing to point out here is another precipitous drop to the first longer-tail query within the category (from 1,570 to 144). Also, one could expect that it would not be only brothers but also sisters mentioned here, which is clearly not the case.</p>
<ul>
<li>i love you brother poems (144),</li>
<li>love you poems (116),</li>
<li>i love you mom poems from daughter (62),</li>
<li>i love you mom poems (49),</li>
<li>how much i love you poems (46),</li>
<li>why i love you poems (38),</li>
<li>i love you so much poems (21),</li>
<li>i love you poems for your boyfriend (12),</li>
<li>i love you with all my heart and soul poems (11).</li>
</ul>
<p style="text-align: center;"><a href="https://poetrypoetry.com/"><strong>Homepage</strong></a></p>
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		<title>One Flesh by Elizabeth Jennings: Poem Analysis</title>
		<link>https://poetrypoetry.com/one-flesh-elizabeth-jennings-poem-analysis/</link>
		
		<dc:creator><![CDATA[Donald C Winders]]></dc:creator>
		<pubDate>Mon, 22 Jun 2020 23:08:11 +0000</pubDate>
				<category><![CDATA[Poetry]]></category>
		<guid isPermaLink="false">https://poetrypoetry.com/?p=1889</guid>

					<description><![CDATA[One Flesh is a beautifully written poem by Elizabeth Jennings. In this poem, the speaker observes the reality of romance and...]]></description>
										<content:encoded><![CDATA[<p><em>One Flesh</em> is a beautifully written <a href="https://www.google.com/search?q=elizabeth+jennings+poem" target="_blank" rel="noopener">poem by Elizabeth Jennings</a>. In this poem, the speaker observes the <a href="https://www.poetrysoc.com/love-poems/" target="_blank" rel="noopener">reality of romance and marriages</a> in the long run and how it turns into something unrecognizable. The speaker observes her parents with curiosity and intrigue, as they lie in bed beside each other but with a lack of intimacy. She also wonders about the thoughts in their minds as they seem so distant and disconnected from one another. This is by no means a <a href="http://www.romanticpoems.com/" target="_blank" rel="noopener">romantic poem</a>: as she observes this course of their marriage, she depicts how two people who were once so in love with one other resulted in their current reality.<span id="more-1889"></span></p>
<h2>The First Stanza</h2>
<p>The first stanza focuses on the disconnection between the man and the woman regarding mental intimacy. The man is currently holding an unread book and he anticipates what adventures this book has to offer for him, as it acts as an escape away from reality. He anticipates every event in the book, and the speaker observes that this form of escape is what he prefers rather than lying beside his wife. This is also why he chooses to keep the light on- to focus on his book rather than his wife.</p>
<p>The woman, on the other hand, is consumed with her thoughts with her past and her childhood. The speaker observes that the woman- her mother- is comparing her distant memories of the past to her current reality, as she lies beside her husband. Although they are physically beside each other, there&#8217;s clearly a lack of emotional and mental connection. The speaker has an apathetic perspective regarding marriage and long-lasting relationships, which is what can be seen in the way the speaker describes her parents.</p>
<h2>The Second Stanza</h2>
<p>The first line of this stanza uses the word flotsam, which is the word the speaker uses to describe her parents&#8217; marriage- a storm. The fact the she thinks of their relationship in this perspective is also proof of her view on romance and marriage. As the speaker continues to observe her parents, she compares their relationship to the aftermath of a storm, and no longer passionate. The speaker also confesses that her parents rarely ever touch anymore and when they do, it seems forced and stiff.</p>
<p>Her perspective on her parents&#8217; relationship seems far from real to her. The last two lines of this stanza also proves that she views her parents&#8217; marriage as chaste, as if this was something her parents have been preparing for their entire lives. Though the initial stage of relationships and marriage and full of passion and desire, the speaker believes that the relationship will eventually lose its fire and return to a life of abstinence.</p>
<h2>The Third Stanza</h2>
<p>In the final stanza of <em>One Flesh</em>, the center of attention changes from love to time. With the speaker&#8217;s conviction that her parents display a lack of connection and intimacy, she wonders if they know they&#8217;re getting old. Time is, and has always been, a fragile concept. The speaker wonders if her parents know that they&#8217;re losing time, yet they choose to spend the final moments of their lives with a lack of passion and life.</p>
<p>She believes that what she observes before her own eyes isn&#8217;t real love and she refuses to believe that this is all there is to love. The speaker also compares time to a feather, showing its fragility and delicacy. The speaker is aware that time is constantly moving, but she wonders if her parents know that as well.</p>
<h2>In Conclusion</h2>
<p><em>One Flesh</em> is not merely a poem depicting a loss of passion and desire in marriages that last long enough for it to happen; it also shows the speaker&#8217;s perspective on how she views love and marriage should be. The narrator seems to have the conviction that chastity and abstinence are the only end results of any marriage or relationship. Thus, this beautifully written poem by Elizabeth Jennings shows you the tragedy of a marriage that not only ended in a lack of intimacy, but brought a dark mindset onto its offspring.</p>
<p style="text-align: center;"><a href="https://poetrypoetry.com/">The Sound of Poetry&#8217;s Homepage</a></p>
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		<title>Wilfred Owen: Strange Meeting Poem Analysis</title>
		<link>https://poetrypoetry.com/wilfred-owen-strange-meeting-analysis-poem/</link>
		
		<dc:creator><![CDATA[Donald C Winders]]></dc:creator>
		<pubDate>Mon, 22 Jun 2020 13:38:12 +0000</pubDate>
				<category><![CDATA[Poetry]]></category>
		<guid isPermaLink="false">https://poetrypoetry.com/?p=1885</guid>

					<description><![CDATA[People in ancient and modern times alike have appreciated poetry due to its ability to capture the human condition. Poetry pushes...]]></description>
										<content:encoded><![CDATA[<p>People in ancient and modern times alike have appreciated <a href="https://poetrypoetry.com/">poetry</a> due to its ability to capture the human condition. Poetry pushes the human soul to the extreme, accusing the man of his past flaws and deliberate wrong choices, all while appreciating the good in society and nature. The poem <em>Strange Meeting</em> by Wilfred Owen is about the phenomenon of war and its aftermath.<span id="more-1885"></span></p>
<h2>Wilfred Owen, the Author of <em>Strange Meeting</em></h2>
<p><a href="https://www.google.com/search?q=Wilfred+Edward+Salter+Owen" target="_blank" rel="noopener">Wilfred Owen</a> was an English poet and soldier born in 1893 in Oswestry, Shropshire. He was enlisted in the army in 1915 and died in action in 1918 in Sambre-Oise Canal, France, at which point he was known for his significant contribution to war poetry. In his works, Wilfred Owen sees the futility, tragedy and destruction that war inevitably brings.</p>
<h2>Stylistic Devices in <em>Strange Meeting</em> by Wilfred Owen</h2>
<h3>Biblical Allusion</h3>
<p>The poet makes an allusion to the bible (King James Version). There are phrases and wording which echo King James Version. In line 8, the lifting of hands is a biblical allusion where religion would raise their hands in order to bless individuals and congregants. The act of going to hell is an allusion to the apostle&#8217;s creed. It is possible that Owen, in his formative years, would recite the creed.</p>
<h3>The Use of Metaphors</h3>
<p>The poet describes beauty as mocking the running of an hour. In this line, line 20, beauty is personified to describe a situation where time is running out. The poet suggests that the number of years the solder spent in trenches has made him weary.</p>
<p>In line 34, the blood clogged in the wheel is partially figurative. The chariot wheel concept is borrowed from ancient wars. However, in the First World War (the setting of Owen&#8217;s poems) it refers to any infrastructure and machinery that drives the war. As a matter of fact, the modern war is far more destructive than the ancient war as it has adopted the use of technology. Line 35 states the desire that solders, after staining themselves with blood, wish to get healed.</p>
<h3>The Poem&#8217;s Tone</h3>
<p><a href="https://www.google.com/search?q=wilfred+owen+strange+meeting" target="_blank" rel="noopener">The tone of the poem</a> is dreamlike as well as eerie. The use of the word hell arouses the imagination of the reader, and is an epic poetical narrative, bringing the memories of Dante&#8217;s inferno. The poet creates a sense of the supernatural when he used words such as dead smile. In connection to this, the reader cannot help but notice a sense of despair and hopelessness among the soldiers.</p>
<h2>Thematic Analysis of <em>Strange Meeting</em></h2>
<p>Like other poems by Owen, the theme of war is dominant in the poem. The poem is about the soldiers, their trade, and their suffering therein. It is about the impact that war has on the solders and other affected parties. Poor persona- he escapes death at battle, but descends to hell.</p>
<p>Fear is a dominant theme in war poetry. War creates fear in both the fighters and the affected people. Just like the way the solder kills the enemy, he could as well be killed. This environment creates a cycle of violence saturated with fear. It is possible that even if the solder gives up fighting, fear is already stuck in his soul making it very difficult for him to live a normal life. In fact, the poet says that even when the soldiers are courageous, they still live in misery.</p>
<p>Guilt is a dominant theme in the poem <em>Strange Meeting</em>. Studies in the field of psychology have cited the emotional impact of war, justification of war notwithstanding. A number of soldiers who served in Vietnam became victims of post-traumatic stress disorder. The poem suggests that solders waste their productive time in war. In addition to that, the poet suggests that soldiers should not blame &#8220;orders from above&#8221; because they can make choices to do the right thing.</p>
<h2>Conclusion</h2>
<p>There is no question that Wilfred Owen had a deep disdain for war. The poem is a wakeup call to the modern man who continues to propagate war instead of peace; the poem shakes the emotions of the reader to the core, and makes him re-think his perceptions of war. Overall, the poem <em>Strange Meeting</em> is a perfect example of a superb World War I poetry.</p>
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		<title>Tips For Reading Poetry Aloud</title>
		<link>https://poetrypoetry.com/Features/JLaughlin/JLaughlin.html</link>
		
		<dc:creator><![CDATA[Donald C Winders]]></dc:creator>
		<pubDate>Thu, 27 Feb 2020 06:34:45 +0000</pubDate>
				<category><![CDATA[Poetry]]></category>
		<guid isPermaLink="false">https://poetrypoetry.com/?p=1571</guid>

					<description><![CDATA[Reading poetry is also an art which is as much difficult as writing one. There are many out there who are...]]></description>
										<content:encoded><![CDATA[<p>Reading poetry is also an art which is as much difficult as writing one. There are many out there who are well versed in writing compelling poetry and not exactly speaking it out loud. Poetry has incredible power to it and finding the right words can mean that you give life and emotion to the words. If you are someone who is reading the articles in front of an audience, you need to smooth and elegant. If you are worried, here are some ways you can make your poetry reading impactful.<span id="more-1571"></span></p>
<h2>Use a dictionary</h2>
<p>One way to make sure that you have the right reading is by making sure that you understand the words. Before you are set to perform, take a note and bring the poem out to perform. Understand what the poem means, which brings emotions to the words that you choose. This is also another way to keep your pronunciation correct for the public reading session.</p>
<h2>Slow down<img alt='screen-shot-2019-01-01-at-7-49-43-pm-1613648-20200307144746' class="size-full wp-image-1576 aligncenter" src='https://poetrypoetry.com/wp-content/uploads/2020/02/Screen-Shot-2019-01-01-at-7.49.43-PM-1613648.png' alt="Slow down" width="785" height="441" /></h2>
<p>Poetry is something that has is own pace which can inflict emotions on the people. It might sound funny at first, but practising the slow roll of tongue and words can help build trust in the poetry itself. It is very common to speak fast but finding a slow and soothing voice is much difficult. Slowing down with your pack is one of the best ways to bring out the best when it comes to an understanding of <a href="https://medium.com/@EmEmbarty/31-of-the-best-and-most-famous-short-classic-poems-of-all-time-e445986e6df" rel="dofollow noopener" target="_blank">the natural parts of the poems.</a></p>
<h2>Turn up the volume</h2>
<p>When you are reading a poetry slowing might actually lead to your feeling nervous, which in turn lead you to speak in low tones. You need to make sure that you are getting over any kind of discomfort, start making mental notes which is one of the best ways to get you to word out. Make sure that you are getting yourself right and bring your direction towards the audience for the maximum impact. You want to make sure that your voice is soft as well as loud enough to each the audience.</p>
<h2>Practice reading poetry aloud</h2>
<p><center><iframe loading="lazy" src="https://www.youtube.com/embed/LeUm07WtTvE" width="310" height="315" frameborder="0" allowfullscreen="allowfullscreen"><span data-mce-type="bookmark" style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" class="mce_SELRES_start">﻿</span></iframe> </center>Practice makes a man perfect, and it is true as poetry is personal to many, and it is not as reading a passage from the textbook. Try to make sure that you have the right practice, which will allow you to have you to produce a strong performance. You can read it out loud and bring your performance into it. Try to not freak out as most of the time after a certain time; everything will seem alright.</p>
<h2>Relax</h2>
<p>Most of the time, when reading poetry aloud, a person is bound to get lazy, but it is important to keep breathing and allow yourself to get <a href="https://mashable.com/article/inspiring-poets-black-history-month/" rel="dofollow noopener" target="_blank">the right confidence</a>. Confidence is the key to your presence on the stage which will make sure that the attention is one you.</p>
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		<item>
		<title>PoetryPoetry &#8211; In Seine Poems Worth Hearing</title>
		<link>https://poetrypoetry.com/poetrypoetry-in-seine-poems-worth-hearing-3/</link>
		
		<dc:creator><![CDATA[Donald C Winders]]></dc:creator>
		<pubDate>Sat, 26 May 2018 10:04:47 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://poetrypoetry.com/poetrypoetry-in-seine-poems-worth-hearing-3/</guid>

					<description><![CDATA[An Open Mic for Earnest Ears     A Road Trip with &#8220;3 Guys from Albany&#8221;   An Open Page for Earnest Eyes...]]></description>
										<content:encoded><![CDATA[<td></p>
<p><i>An Open Mic for Earnest Ears</i></p>
<p></p>
<p>    A Road Trip with &#8220;3 Guys from Albany&#8221;</p>
<p> </p>
<p><i>An Open Page for Earnest Eyes</i></p>
<p></p>
<p>    Poetry for a new millennium</p>
<p> </p>
<p><i>The World of Poetry</i></p>
<p></p>
<p>    Links, links, links&#8230;</p>
<p> </p>
<p><i>Thaw the Slush Pile</i></p>
<p></p>
<p>    Submit Your Work Here</p>
<p> </p>
<p><i>Register With Our Guestbook</i></p>
<p></p>
<p>    Sign up here</p>
<p>
 </td>
<td></p>
<p><i>The Poet&#8217;s Workshop:  Writing ideas and exercises</i></p>
<p>
     Poetic Elaboration</p>
<p><i>&#8220;Charlie Says&#8221; &#8211; Reviews, News &amp; Notes</i><br />
     Charlie Recommends CSU&#8217;s Gwendolyn Brooks Writers&#8217; Conference</p>
<p><i>The Vault &#8211; Previous Features, Workshops, Reviews, etc.</i></p>
<ul>
<li>Father of the Slam: Marc Smith, (Chicago, IL)</li>
<li>U.S. Poet Laureate: Ted Kooser, (Garland, NE)</li>
<li>The Mythopoetic Robert Bly</li>
<li>Lucien Stryk, (Lake Bluff, IL)</li>
<li>Cin Salach with Sheila Donohue, a &#8220;Betty&#8217;s Mouth&#8221; reunion</li>
<li>Regie Gibson, individual National Slam Champion (Boston)</li>
<li>David Hernandez, Chicago&#8217;s unofficial poet laureate</li>
<li>Jimmy Santiago Baca (NM)</li>
<li>James Laughlin, founder <i>New Directions</i></li>
<li>More&#8230;</li>
</ul>
</td>
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		<title>Poetry Workshop: Parallel Poetry</title>
		<link>https://poetrypoetry.com/Workshops/00-04/ParallelPoetry.html</link>
		
		<dc:creator><![CDATA[Donald C Winders]]></dc:creator>
		<pubDate>Tue, 01 May 2018 23:14:01 +0000</pubDate>
				<category><![CDATA[Poetry]]></category>
		<guid isPermaLink="false">https://poetrypoetry.com/poetry-workshop-parallel-poetry/</guid>

					<description><![CDATA[3 In the mountains it&#8217;s cold. Always been cold, not just this year. Jagged scarps forever snowed in Woods in the...]]></description>
										<content:encoded><![CDATA[<p>3</p>
<p>In the mountains it&#8217;s cold.<br />
Always been cold, not just this year.<br />
Jagged scarps forever snowed in<br />
Woods in the dark ravines spitting mist.<br />
Grass is still sprouting at the end of June,<br />
Leaves begin to fall in early August.<br />
And here am I, high on mountains,<br />
Peering and peering, but I can&#8217;t even see the sky</p>
<p>Han Shan translated by Gary Snyder.</p>
<p>3</p>
<p>It&#8217;s bleak here<br />
it&#8217;s always been bleak.<br />
Dark buildings half-blown down,<br />
shadows enough to spook a saint.<br />
But grass still sprouts each June<br />
school kids return each autumn.<br />
Now I&#8217;m here, which is nowhere<br />
looking for a vision that just won&#8217;t come.</p>
<p>Parallel poem from Charlie&#8217;s Cold Mountain 2000</p>
<p>15</p>
<p>There&#8217;s a naked bug at Cold Mountain<br />
With a white body and a black head.<br />
His hand holds two book-scrolls,<br />
One the Way and one its Power.<br />
His shack&#8217;s got no pots or oven,<br />
He goes for a walk with his shirt and pants askew.<br />
But he always carries the sword of wisdom:<br />
He means to cut down senseless craving.</p>
<p>Han Shan translated by Gary Snyder</p>
<p>15</p>
<p>There&#8217;s a ragged poet on this city street<br />
in an old turtleneck and faded jeans.<br />
His one hand holds a copy of On the Road<br />
and the other Naked Lunch.<br />
He&#8217;s thin and hasn&#8217;t got much.<br />
He&#8217;s a sorry sight,<br />
but he&#8217;s close to his roots<br />
and that keeps his head on straight.</p>
<p>Parallel poem from Charlie&#8217;s Cold Mountain 2000</p>
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		<title>Feature &#8211; A Night at the Green Mill</title>
		<link>https://poetrypoetry.com/features/greenmill/greenmill.html</link>
		
		<dc:creator><![CDATA[Donald C Winders]]></dc:creator>
		<pubDate>Wed, 25 Apr 2018 09:48:34 +0000</pubDate>
				<category><![CDATA[Poetry]]></category>
		<guid isPermaLink="false">https://poetrypoetry.com/feature-a-night-at-the-green-mill/</guid>

					<description><![CDATA[A Poetry Night at the Green Mill With host Marc Smith (pictured above) and featured poet Taylor Mali of NYC (pictured...]]></description>
										<content:encoded><![CDATA[<h2 style="text-align: center;">A Poetry Night at the Green Mill</h2>
<p>With host <b>Marc Smith</b> (pictured above) and featured poet <b>Taylor Mali</b> of NYC (pictured below).</p>
<p><a href="https://www.romanticpoems.com/goodnight-poems-for-her/" target="_blank" rel="noopener">Sweet goodnight poems for her</a></p>
<p>Our original idea for this feature was to record Marc Smith, inventor of the poetry slam, doing his own dynamic, heartfelt poetry on a typical Sunday night at the legendary Green Mill (Chicago, IL, USA) where he has been the most masterful of Master of Ceremonies for over a decade. We wanted to capture Marc&#8217;s poetry but also to highlight his marvelous way of working with the crowd and poets throughout the night. Once the mics were turned on, however, we decided to record the entire evening and give you a complete Sunday Evening at the Green Mill. So we let the tape roll and as a result, you can listen to almost two and a half hours of poetry, including the open mic, featured poet Taylor Mali, and a 7-poet slam judged by 3 highly idiosyncratic judges whose qualifications, as Marc attests, are non-existent. The piano accompaniment was masterfully played by David Flippo.</p>
<p>Incidentally, Taylor Mali was a wonderful feature who truly blew the audience away and who you may recognize from his major role in the movie <i>SlamNation</i>.</p>
<p>It was also our good fortune that C. J. Laity of Chicagopoetry.com was there on the night of May 6 and wrote a review which is posted on his website. What a nice reminder of <a href="https://www.journalismonline.com/what-is-journalism/" target="_blank" rel="noopener">what journalism is for</a>!</p>
<p>Click <a href="https://poetrypoetry.com/Features/GreenMill/all.m3u">here to stream</a> the entire show.<br />
Click <a href="https://poetrypoetry.com/Features/GreenMill/OpenMic.m3u">here to stream</a> just the open mic segment.<br />
Click <a href="https://poetrypoetry.com/Features/GreenMill/TaylorMali.m3u">here to stream</a> just the feature, Taylor Mali.<br />
Click <a href="https://poetrypoetry.com/Features/GreenMill/Slam.m3u">here to stream</a> just the slam contest.</p>
<p>&nbsp;</p>
<table cellspacing="0" cellpadding="0" bgcolor="#339933">
<tbody>
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<td colspan="3">
<hr />
</td>
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<tr>
<td width="75%">1. <i>Peanuts</i> by Marc Smith</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/01_Peanuts.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/01_Peanuts.mp3">Download</a></td>
</tr>
<tr>
<td>2. An Introduction to Slam (Marc)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/02_IntroToSlam.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/02_IntroToSlam.mp3">Download</a></td>
</tr>
<tr>
<td>3. Maria McCrae</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/03_MariaMcCrae.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/03_MariaMcCrae.mp3">Download</a></td>
</tr>
<tr>
<td>4. Two by Richard Hanks</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/04_2ByRichardHanks.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/04_2ByRichardHanks.mp3">Download</a></td>
</tr>
<tr>
<td>5. Audrey Grahame</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/05_Audrey.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/05_Audrey.mp3">Download</a></td>
</tr>
<tr>
<td>6. Virgin Dave</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/06_VirginDave.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/06_VirginDave.mp3">Download</a></td>
</tr>
<tr>
<td>7. Beer Vendor Bob</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/07_BeerVendorBob.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/07_BeerVendorBob.mp3">Download</a></td>
</tr>
<tr>
<td>8. Valentine from Cameroon</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/08_ValentineFromCameroon.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/08_ValentineFromCameroon.mp3">Download</a></td>
</tr>
<tr>
<td>9. Mike Kadela</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/09_MikeK.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/09_MikeK.mp3">Download</a></td>
</tr>
<tr>
<td>10. Meta Jones</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/10_MsJones.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/10_MsJones.mp3">Download</a></td>
</tr>
<tr>
<td>11. Otis Takes Us to Oz</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/11_Otis.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/11_Otis.mp3">Download</a></td>
</tr>
<tr>
<td>12. Schaumburg Jeff</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/12_SchaumburgJeff.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/12_SchaumburgJeff.mp3">Download</a></td>
</tr>
<tr>
<td>13. Randy from Berwyn</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/13_RandyOfBerwyn.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/13_RandyOfBerwyn.mp3">Download</a></td>
</tr>
<tr>
<td>14. Southdside Joe</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/14_SouthSideJoe.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/14_SouthSideJoe.mp3">Download</a></td>
</tr>
<tr>
<td>15. Miscellany (Marc)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/15_BegPt2.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/15_BegPt2.mp3">Download</a></td>
</tr>
<tr>
<td>16. Introducing Taylor Mali</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/16_MaliOpening.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/16_MaliOpening.mp3">Download</a></td>
</tr>
<tr>
<td>17. <i>How Falling In Love is Like Owning a Dog</i> (TM)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/17_TMOnLove.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/17_TMOnLove.mp3">Download</a></td>
</tr>
<tr>
<td>18. The Importance of Proofreading (TM)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/18_TMProofread.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/18_TMProofread.mp3">Download</a></td>
</tr>
<tr>
<td>19. <i>Labeling Keys</i> (TM)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/19_TM_LabelingKeys.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/19_TM_LabelingKeys.mp3">Download</a></td>
</tr>
<tr>
<td>20. <i>The Quiet World</i> as read by TM</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/20_TheQuietWorld.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/20_TheQuietWorld.mp3">Download</a></td>
</tr>
<tr>
<td>21. <i>I Could Be a Poet</i> (TM)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/21_TMICouldBeAPoet.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/21_TMICouldBeAPoet.mp3">Download</a></td>
</tr>
<tr>
<td>22. TM gives us a &#8220;Political Poem&#8221;</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/22_TMPolPoem.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/22_TMPolPoem.mp3">Download</a></td>
</tr>
<tr>
<td>23. A Poem from the Like-Free Zone (TM)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/23_TMLikeItOrNot.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/23_TMLikeItOrNot.mp3">Download</a></td>
</tr>
<tr>
<td>24. TM On Making a Difference</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/24_TMMakingADifference.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/24_TMMakingADifference.mp3">Download</a></td>
</tr>
<tr>
<td>25. Marc at the <i>Buckin&#8217; A Cafe</i></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/25_MSAtTheBuckinA.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/25_MSAtTheBuckinA.mp3">Download</a></td>
</tr>
<tr>
<td>26. Marc Sings <i>The Stupid Song</i></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/26_MSSillySong.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/26_MSSillySong.mp3">Download</a></td>
</tr>
<tr>
<td>27. Slam Rules and Regs (Marc)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/27_MSSlamIntro.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/27_MSSlamIntro.mp3">Download</a></td>
</tr>
<tr>
<td>28. Slammer Alan (round 1)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/28_Alan.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/28_Alan.mp3">Download</a></td>
</tr>
<tr>
<td>29. Slammer Patrick (round 1)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/29_Patrick.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/29_Patrick.mp3">Download</a></td>
</tr>
<tr>
<td>30. Slammer Shappy (round 1)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/30_ShappyPt1.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/30_ShappyPt1.mp3">Download</a></td>
</tr>
<tr>
<td>31. Slammer Maggie (round 1)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/31_Maggie.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/31_Maggie.mp3">Download</a></td>
</tr>
<tr>
<td>32. Slammer Timothy Cook (round 1)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/32_TimothyCook.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/32_TimothyCook.mp3">Download</a></td>
</tr>
<tr>
<td>33. Slammer Jerome (round 1)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/33_Jerome.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/33_Jerome.mp3">Download</a></td>
</tr>
<tr>
<td>34. Slammer Chris (round 1)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/34_Chris.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/34_Chris.mp3">Download</a></td>
</tr>
<tr>
<td>35. Slammer Timothy Cook (round 2)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/35_TimothyCook.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/35_TimothyCook.mp3">Download</a></td>
</tr>
<tr>
<td>36. Slammer Patrick (round 2)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/36_Patrick.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/36_Patrick.mp3">Download</a></td>
</tr>
<tr>
<td>37. Slammer Shappy (round 2)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/37_Shappy.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/37_Shappy.mp3">Download</a></td>
</tr>
<tr>
<td>38. Beckoning from the Bandwagon of Uncertainty (TM encore)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/38_TMEncore1.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/38_TMEncore1.mp3">Download</a></td>
</tr>
<tr>
<td>39. <i>All Hell&#8217;s Angels Want to Return to the Womb</i> (TM encore)</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/39_TMEncore2.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/39_TMEncore2.mp3">Download</a></td>
</tr>
<tr>
<td>40. Marc Smith Closes with a Sandburg Poem</td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/40_MSClosing.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/GreenMill/40_MSClosing.mp3">Download</a></td>
</tr>
<tr>
<td colspan="3">
<hr />
</td>
</tr>
</tbody>
</table>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>Feature &#8211; David Hernandez Live at the Healy&#8217;s West Side</title>
		<link>https://poetrypoetry.com/feature-david-hernandez-live-at-the-healys-west-side/</link>
		
		<dc:creator><![CDATA[Donald C Winders]]></dc:creator>
		<pubDate>Wed, 07 Mar 2018 05:13:40 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://poetrypoetry.com/feature-david-hernandez-live-at-the-healys-west-side/</guid>

					<description><![CDATA[This month&#8217;s Feature: David Hernandez David Hernandez, has published two books of poetry and numerous anthologies. He&#8217;s received grants and recognition...]]></description>
										<content:encoded><![CDATA[<td>
<center><img decoding="async" src="https://poetrypoetry.com/Features/DavidHernandez/RooftopPiper.jpg" /></p>
<h2>This month&#8217;s Feature: David Hernandez</h2>
<p></center></p>
<p>David Hernandez, has published two books of poetry and numerous anthologies. He&#8217;s received grants and recognition from the Illinois Arts council and Chicago&#8217;s Office of Fine Arts. In 1987 he was commissioned to write a poem commemorating Chicago&#8217;s 150th birthday.</p>
<p>The following audio selections are taken from a reading given by Mr. Hernandez at Healy&#8217;s West Side in Forest Park, Illinois.</p>
<p><center>Click here to stream all the audio selections.</center><br />
<br />
 <br />
<center></p>
<p>  <img decoding="async" src="https://poetrypoetry.com/Features/DavidHernandez/DavidHernandez.jpg" /></p>
<p></center>
</td>
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		<item>
		<title>Regie Gibson Live at the Healy&#8217;s West Side</title>
		<link>https://poetrypoetry.com/Features/RGibson/RegieGibson.html</link>
		
		<dc:creator><![CDATA[Donald C Winders]]></dc:creator>
		<pubDate>Mon, 25 Sep 2017 05:45:56 +0000</pubDate>
				<category><![CDATA[Poetry]]></category>
		<guid isPermaLink="false">https://poetrypoetry.com/feature-regie-gibson-live-at-the-healys-west-side/</guid>

					<description><![CDATA[Regie Gibson, a winner of the 1998 National Slam Competition, was edged out for a second place finish in 1999&#8217;s competition....]]></description>
										<content:encoded><![CDATA[<div style="width: 182px" class="wp-caption aligncenter"><img decoding="async" loading="lazy" class="size-medium" src="https://poetrypoetry.com/Features/RGibson/regie.jpg" alt="Regie Gibson" width="172" height="180" /><p class="wp-caption-text">Regie Gibson</p></div>
<p>Regie Gibson, a winner of the 1998 National Slam Competition, was edged out for a second place finish in 1999&#8217;s competition. We love him anyway. He has taught, lectured and performed in seven countries, most recently Cuba. He&#8217;s also the <i>Poet in Residence</i> at the <i>FEO Ellis Center</i> and part of the music group <i>Church of the Funky Word.</i></p>
<p>The following audio selections are taken from a reading given by Mr. Gibson at Healy&#8217;s West Side in Forest Park, Illinois in September 2000.</p>
<h2 style="text-align: center;">Click <a href="https://poetrypoetry.com/Features/RGibson/RegieGibson.m3u">here to stream</a> all the audio selections</h2>
<table cellspacing="0" cellpadding="1" bgcolor="#333333">
<tbody>
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<td colspan="3">
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</td>
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<td width="70%"> Introduction (286k)</td>
<td> <a href="https://poetrypoetry.com/Features/RGibson/1_RegieGibsonIntro.m3u">Stream</a></td>
<td> <a href="https://poetrypoetry.com/Features/RGibson/1_RegieGibsonIntro.mp3">Download</a></td>
</tr>
<tr>
<td> Unclothed (955k)</td>
<td> <a href="https://poetrypoetry.com/Features/RGibson/2_Unclothed.m3u">Stream</a></td>
<td> <a href="https://poetrypoetry.com/Features/RGibson/2_Unclothed.mp3">Download</a></td>
</tr>
<tr>
<td> Mississippi 66 (310k)</td>
<td> <a href="https://poetrypoetry.com/Features/RGibson/3_Mississippi66.m3u">Stream</a></td>
<td> <a href="https://poetrypoetry.com/Features/RGibson/3_Mississippi66.mp3">Download</a></td>
</tr>
<tr>
<td> In the Year I Loved Your Mother (472k)</td>
<td> <a href="https://poetrypoetry.com/Features/RGibson/4_InTheYearILovedYourMother.m3u">Stream</a></td>
<td> <a href="https://poetrypoetry.com/Features/RGibson/4_InTheYearILovedYourMother.mp3">Download</a></td>
</tr>
<tr>
<td> Warehouse (918k)</td>
<td> <a href="https://poetrypoetry.com/Features/RGibson/5_Warehouse.m3u">Stream</a></td>
<td> <a href="https://poetrypoetry.com/Features/RGibson/5_Warehouse.mp3">Download</a></td>
</tr>
<tr>
<td> The Moon (694k)</td>
<td> <a href="https://poetrypoetry.com/Features/RGibson/6_TheMoon.m3u">Stream</a></td>
<td> <a href="https://poetrypoetry.com/Features/RGibson/6_TheMoon.mp3">Download</a></td>
</tr>
<tr>
<td> I Will Not Know You Until I Have Watched You Sleep (822k)</td>
<td> <a href="https://poetrypoetry.com/Features/RGibson/7_IWillNotKnowYouUntilIHaveWatchedYouSleep.m3u">Stream</a></td>
<td> <a href="https://poetrypoetry.com/Features/RGibson/7_IWillNotKnowYouUntilIHaveWatchedYouSleep.mp3">Download</a></td>
</tr>
<tr>
<td> Rosita Mae (1,594k)</td>
<td> <a href="https://poetrypoetry.com/Features/RGibson/8_RositaMae.m3u">Stream</a></td>
<td> <a href="https://poetrypoetry.com/Features/RGibson/8_RositaMae.mp3">Download</a></td>
</tr>
<tr>
<td colspan="3">
<hr />
</td>
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</tbody>
</table>
<p>&nbsp;</p>
<p>In January of 2001, Regie packed up and left Chicago to move to Boston, MA. (Lucky Beantown!) He was given a send-off at Chicago&#8217;s Guild Complex. Many of his friends and fellow poets were there to wish him bon voyage and share a poem or two. Regie was kind enough to give the standing-room-only crowd a final performance.</p>
<p>The following pieces were excerpted from this performance. The works were performed by <i>Maria McCray</i>, <i>Avant Retro</i>, and, of course, <i>Regie</i> and friends. Our emcee for the evening was <i>&#8220;Mario&#8221;</i>.</p>
<p>Due to the Regie&#8217;s use of musical accompaniment, each piece is presented in both a standard low-fidelity format and an enhanced high fidelity format. The Lo-Fi pieces are more suited to streaming by folks with modems whereas the Hi-Fi pieces may be streamed by those with broadband connections (cable modem, DSL, etc.)</p>
<p>&nbsp;</p>
<table width="90%" cellspacing="0" cellpadding="0">
<tbody>
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<td width="66%">
<h2 style="text-align: center;">To stream all Lo-Fi selections, click <a href="https://poetrypoetry.com/Features/RGibson/Guild.m3u">here</a>. To stream all Hi-Fi selections, click <a href="https://poetrypoetry.com/Features/RGibson/Guild_vbr.m3u">here</a>.</h2>
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<td width="50%"><span style="color: #ffff88;">Selection</span></td>
<td colspan="2"><center><span style="color: #ffff88;">Lo-Fi</span></center></td>
<td colspan="2"><center><span style="color: #ffff88;">Hi-Fi</span></center></td>
</tr>
<tr>
<td>Sunshine (Maria McCrae)</td>
<td><a href="https://poetrypoetry.com/Features/RGibson/A_MariaMcCray_GuildComplex.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/A_MariaMcCray_GuildComplex.mp3">Download (711k)</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/A_MariaMcCray_GuildComplex_vbr.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/A_MariaMcCray_GuildComplex_vbr.mp3">Download (2177k)</a></td>
</tr>
<tr>
<td>Night Life (Avant Retro)</td>
<td><a href="https://poetrypoetry.com/Features/RGibson/B_NightLife.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/B_NightLife.mp3">Download (558k)</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/B_NightLife_vbr.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/B_NightLife_vbr.mp3">Download (1770k)</a></td>
</tr>
<tr>
<td>In the House Tonight (Avant Retro)</td>
<td><a href="https://poetrypoetry.com/Features/RGibson/C_InTheHouseTonight.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/C_InTheHouseTonight.mp3">Download (635k)</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/C_InTheHouseTonight_vbr.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/C_InTheHouseTonight_vbr.mp3">Download (2001k)</a></td>
</tr>
<tr>
<td>Introduction (Mario)</td>
<td><a href="https://poetrypoetry.com/Features/RGibson/1_MarioIntro.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/1_MarioIntro.mp3">Download (186k)</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/1_MarioIntro_vbr.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/1_MarioIntro_vbr.mp3">Download (591k)</a></td>
</tr>
<tr>
<td>Drum Greeting</td>
<td><a href="https://poetrypoetry.com/Features/RGibson/2_RegieDrumming.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/2_RegieDrumming.mp3">Download (1288k)</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/2_RegieDrumming_vbr.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/2_RegieDrumming_vbr.mp3">Download (3979k)</a></td>
</tr>
<tr>
<td>The Moon</td>
<td><a href="https://poetrypoetry.com/Features/RGibson/3_O_Moon.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/3_O_Moon.mp3">Download (763k)</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/3_O_Moon_vbr.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/3_O_Moon_vbr.mp3">Download (2391k)</a></td>
</tr>
<tr>
<td>An Ode to My First Car</td>
<td><a href="https://poetrypoetry.com/Features/RGibson/4_AnOdeToMyFirstCar.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/4_AnOdeToMyFirstCar.mp3">Download (383k)</a></td>
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<td><a href="https://poetrypoetry.com/Features/RGibson/4_AnOdeToMyFirstCar_vbr.mp3">Download (1193k)</a></td>
</tr>
<tr>
<td>Warehouse</td>
<td><a href="https://poetrypoetry.com/Features/RGibson/5_Warehouse2.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/5_Warehouse2.mp3">Download (1069k)</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/5_Warehouse2_vbr.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/5_Warehouse2_vbr.mp3">Download (3323k)</a></td>
</tr>
<tr>
<td>&#8220;But He Jumped Up!&#8221;</td>
<td><a href="https://poetrypoetry.com/Features/RGibson/6_ButHeJumpedUp.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/6_ButHeJumpedUp.mp3">Download (749k)</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/6_ButHeJumpedUp_vbr.m3u">Stream</a></td>
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</tr>
<tr>
<td>In the Year I Loved Your Mother</td>
<td><a href="https://poetrypoetry.com/Features/RGibson/7_InTheYearILovedYourMother2.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/7_InTheYearILovedYourMother2.mp3">Download (722k)</a></td>
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<td><a href="https://poetrypoetry.com/Features/RGibson/7_InTheYearILovedYourMother2_vbr.mp3">Download (2261k)</a></td>
</tr>
<tr>
<td>Mira</td>
<td><a href="https://poetrypoetry.com/Features/RGibson/8_Mira.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/8_Mira.mp3">Download (878k)</a></td>
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<td><a href="https://poetrypoetry.com/Features/RGibson/8_Mira_vbr.mp3">Download (2773k)</a></td>
</tr>
<tr>
<td>Get the Book (Promotion)</td>
<td><a href="https://poetrypoetry.com/Features/RGibson/9_MarioPromo.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/9_MarioPromo.mp3">Download (118k)</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/9_MarioPromo_vbr.m3u">Stream</a></td>
<td><a href="https://poetrypoetry.com/Features/RGibson/9_MarioPromo_vbr.mp3">Download (371k)</a></td>
</tr>
<tr>
<td colspan="5">
<hr />
</td>
</tr>
</tbody>
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<p>&nbsp;</td>
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		<item>
		<title>Open Mic Guidelines</title>
		<link>https://poetrypoetry.com/open-mic-guidelines/</link>
		
		<dc:creator><![CDATA[Donald C Winders]]></dc:creator>
		<pubDate>Sat, 09 Sep 2017 18:42:37 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://poetrypoetry.com/open-mic-guidelines/</guid>

					<description><![CDATA[OPEN MIC GUIDELINES WHEN TO SUBMIT You may submit anytime. Submissions, however, will be posted on a secret schedule known only...]]></description>
										<content:encoded><![CDATA[<blockquote><p>OPEN MIC GUIDELINES</p>
<p>WHEN TO SUBMIT<br />
You may submit anytime. Submissions, however, will be posted on a secret schedule known only to us.<br />
(Perhaps monthly, or if the volume of posts is high enough, even more frequently.)</p>
<p>SUBMIT ONLY POETRY<br />
Please submit one poem per round (Haiku, up to 5 in one submission).  Upper audio limit, 5 minutes.  Print limit, 150 lines or approx. 3 pages. Your picture, if you care to submit one, should be in GIF, JPG, or PNG format, max size 160&#215;240 pixels.</p>
<p>DO NOT SUBMIT SONGS &#8212; THEY WILL NOT BE POSTED.<br />
This is not a music site. However the use of sound effects, multiple voices, and other sonic performance techniques is welcomed and in fact, encouraged.</p>
<p>AUDIO SUBMISSIONS MUST BE IN MP3 FORMAT. (Audio submissions are not supported yet, but that will be remedied shortly.)<br />
If you need help acquiring MP3 capability, check our technical support pages.  MP3 software is available free for the downloading and we&#8217;ll tell you how to acquire it.</p>
<p>SUBJECT MATTER<br />
Language per se will not be censored.  This is not a bigchain bookstore cafe and our visitors (you) are considered to be intelligent adults. However, work that in our judgment is racist, sexist, or otherwise offensive (in the opinions of our otherwise broad-minded editorial board) will not be posted.</p>
<p>Disclaimer and Fine Print:<br />
In submitting your works here, you are avowing that you are the copyright holder of the submitted works, and in the act of submitting them, you are granting PoetryPoetry the right to electronically publish these works on the PoetryPoetry web site. In addition, you are also granting PoetryPoetry the right to include your works in future compilations of selected PoetryPoetry artists. Please note that submitting your works to PoetryPoetry does in no way limit your rights to publish your works elsewhere, however, we do ask that you ensure that works submitted to us are not encumbered by exclusive publishing arrangements with other entities. Finally, works on the PoetryPoetry web site are copyrighted materials, and may not be copied or used in any other way without the expressed permission of the copyright holder.</p>
<p>Back to PoetryPoetry home page</p>
</blockquote>
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